Hard‑hitting, genre‑bending rock from Hammond, Louisiana.
Let Them Hear is a no‑holds‑barred ride through rebellion, grit, and strange beauty...
Short Bio — Drug Money is a hard‑hitting, genre‑bending trio from Hammond, Louisiana, blending raw rock energy with progressive twists and outlaw humor. Their new album, Let Them Hear, is a ride through stories of rebellion, grit, and strange beauty — proof that rock’s genetic code is alive, mutating, and very much kicking.
Formed in 2012 in Hammond, Louisiana, Drug Money is a creatively eccentric three‑piece band hell‑bent on keeping rock dangerous, weird, and alive. Their mission? To make music wild enough to contact extraterrestrial life, raise the dead, and ensure the DNA of rock and roll survives another generation.
On their new album, Let Them Hear, the band channels the chaos of modern life through riffs that snarl, grooves that surprise, and lyrics that hit with both wit and weight. From the outlaw swagger of Wild Bill Rides Again to the sprawling closer Truly Live, the album blends grit and playfulness, stretching the boundaries of heavy rock while keeping it undeniably human.
One song might twist progressive structures into punk‑funk chaos, the next might strip down to raw emotion. What ties it all together is a fearless approach: music that’s unpredictable, but never insincere — music that demands to be heard.
After more than a decade of evolving their craft on stages and in studios, Drug Money stands ready to kick open bigger doors. Let Them Hear isn’t just an album title — it’s a call to anyone who still believes in music that moves your body, scrambles your head, and shakes your soul.
The mad scientist of riffs, Tim weaves raw power with clever twists, turning chaos into hooks that stick. His guitar work drives Drug Money’s genre‑bending sound, and his lyrical collaborations with Timpo add layers of grit and wit to the band’s storytelling.
Timpo is the engine — hard‑hitting, inventive, and unrelenting. From thunderous grooves to subtle shifts, his rhythms ground the band’s unpredictability. Off the kit, he often pairs with McLain to craft lyrics that balance raw honesty with sly humor.
The low‑end storyteller, Spoon anchors Drug Money with bass lines that rumble and surprise. His vocal grit and stage presence add a fearless edge to the band’s already unhinged energy, completing the trio’s volatile chemistry.
